On Apr 5, 11:32=A0pm, "Julia Dream" <pinkw...@[EMAIL PROTECTED]
> wrote:
> "Dana" <danamb...@[EMAIL PROTECTED]
> wrote in message
>
> news:47F85626.BB3FA5BA@[EMAIL PROTECTED]
>
>
>
>
>
> > Kolbard wrote:
>
> >> On Thu, 3 Apr 2008 05:08:11 -0700 (PDT), tom.r...@[EMAIL PROTECTED]
>
> >> >On Apr 3, 12:09 am, edonline <eronlineSPAM...@[EMAIL PROTECTED]
> wrote:
> >> >> I loved the comparative scenes of the dinner at the Kirakis
mansion
> >> >> and the one at the DiMera, now Black, mansion.
>
> >> >> The best came in the last ten minutes or so, with Rolf presenting
hi=
s
> >> >> cheese puffs to John and EJ (Rolf: "They're my own special
formula";=
> >> >> EJ: =A0"Rolf, in America, we call it a recipe"; =A0John: =A0"No,
he =
means
> >> >> fomula. =A0He's a mad scientist"). =A0I didn't catch EJ's line
when =
John
> >> >> mentioned about Marlena pulling a gun on Rolf; =A0I think he said
> >> >> something to Sami like "You take after your mother". =A0Then it
was =
a
> >> >> great reaction from John when Marlena suggested everyone moving
into=
> >> >> the mansion. =A0"Hmmm, a brainwashed father, a gun-toting mother,
a
> >> >> couple who hate each other... =A0I'll have to think about it."
>
> >> >> The last scenes at the Kirakis house were just as good with Victor
> >> >> insulting Chloe with an apology. =A0And then an unexpected dinner
gu=
est
> >> >> at the very end... =A0Nichole! =A0 Even Kate mouthed the words
"Oh, =
my
> >> >> god". =A0With Nichole back, things should be good.
>
> >> >I agree with you, and I basically enjoyed both scenes for many of
the
> >> >same reasons. =A0John's lines were the best.
>
> >> >However, I was annoyed by the fact that Kate and Victor are still
> >> >talking as if they were legally married. =A0They weren't.
>
> >> >I also wasn't completely thrilled with the scene about everyone
moving=
> >> >into John's mansion. =A0I knew where this script was going from the
> >> >moment that Sami and EJ called a meeting at John's place and started
> >> >talking about their new problem. =A0Marlena and Sami's expressions
fel=
t
> >> >forced and a bit phoney... as if they had to go through the motions
of=
> >> >saying their lines solely for the eventual outcome. =A0 =A0There was
> >> >something about it that felt Reillyish.
>
> >> > - Donna
>
> >> I agree about Marlena and Sami, but the Kiriakis dinner was some of
> >> the best Days I've seen in years. =A0It doesn't NEED fantasy, awful
> >> humor, or constant suspense to be good. =A0It was very soapy.
>
> >> Kolbard
>
> > I enjoyed both! =A0In fact, I enjoyed the whole week which is amazing
> > since I was ff'ing just last week. =A0And, I had no idea Nicole was
> > returning this week (knew she was coming back, just not when) so the
end=
> > of Wed's ep was awesome for me.
>
> ITA! =A0I enjoyed every show this week, but especially the family nights
a=
t
> the DiMera and Kiriakis mansions. =A0You could really sense the tension
ar=
ound
> the dinner table at Victor's! =A0And John's lines about their family
were
> hilarious. =A0I'm actually getting into John's new character; the
> I-don't-give-a-rat's-ass attitude just cracks me up. =A0I also like how
he=
> calls Marlena "Blondie"; you can see that he is attracted to her, even
if =
he
> doesn't remember her. =A0For some reason, his new character sounds like
Cl=
int
> Eastwood's character in "The Good, The Bad, and The Ugly", though it was
E=
li
> Wallach's character "Tuco" who called Clint "Blondie". =A0lol =A0It is
gre=
at to
> see Nicole back, and I loved her entrance. =A0Great stuff!! =A0I'm truly
h=
aving
> fun watching the show again!
>
> Becky- Hide quoted text -
>
> - Show quoted text -
I just have to say it....he's WAY too damned young for me, but
Phillip....especially at this dinner......just keeps getting HOTTER
and HOTTER. I love when takes John to task. He's a babe. He's one of
the better actors in daytime, too. (And this show needs him....if you
fire him, you lousy powers that be people, I'm going be cracking some
skulls......)
I thought I would miss Lucas being gone, but Philly's doing mighty
good in his abscence.
S*Babykins
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