On Mon, 05 Nov 2007 21:26:43 GMT, "windowwasher" <windowwasher@[EMAIL PROTECTED]
>
wrote:
>
>"Rob Jensen" <ShutUpRob@[EMAIL PROTECTED]
> wrote in message
>news:vlvui39i396t7ehbmh3eh1472gteuco597@[EMAIL PROTECTED]
>> However, movies have *much* longer lead times than TV shows do, which
>> is why X-Files 2 remains unaffected. The script was complete, so they
>> can film it, conversely, the turnover time for television scripts is
>> so quick that most shows have only 2-3 more episodes to film before
>> they run out of scripts, but they've also already finished shooting
>> around 3 episodes yet to air besides the 2-3 more that they can shoot,
>> so most series are going to have another 5-6 episodes air before the
>> strike imposes a hiatus due to lack of scripts. Fortunately, the
>> timing coincides more or less with regular winter hiatus anyway, so
>> while TV hasn't been able to bank hardly any scripts, the truth of the
>> matter is that the filming schedule won't really be disrupted until
>> the cast & crew would normally come back after winter hiatus to start
>> filming new episodes that won't have been written.
>>
>Aren't scripts often rewritten as shooting commences/occurs? What's the
>effect of the strike on rewrites/edits?
>
The DGA contract requires that scripts be made available to the director a
minimum of two weeks before the episode is to be start shooting (to give
the director prep time). The guild actually cracked down on the worst
offenders of that (including the West Wing) a couple of years ago.
Rewrites are WGA work, and so are out, edits (prior to or while shooting)
are director work (or editors work after shooting) and so are still in
(just because a writer wrote some dialogue doesn't mean the actor has to
say it).
--
"Oh Buffy, you really do need to have
every square inch of your ass kicked."
- Willow Rosenberg
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